Gnarly Wounds tells the tale of one man’s horrifyingly funny journey through grief, madness, and amnesia. In three linked novellas, Jayson Iwen takes readers into a smart and raunchy dreamscape full of riddles, jokes, and metaphysics, with a cast that includes the ridiculous son of an eastern European dictator, monks, witches, soldiers, furry animals, an ex-hitman, a super strong baby, and more. Told in several different cultural registers — elegant and blunt, tragic and comic, contemplative and action-packed — this is a one-of-a-kind mystery, hilarious and profound.
“In the tradition of forebears Borges and Angela Carter comes a complex and wonderful puzzle named ‘Gnarly Wounds.’ It has humor, intrigue, violence, love, talking animals, a social conscience, and the most important ingredient of all, humanness.” Joshua Mohr
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Six Trips in Two Directions, winner of the Emergency Press International Book Contest
“Jayson Iwen’s Six Trips in Two Directions is a stunning first book, joining private and public experience more effectively than any volume of poetry I’ve seen.” Paul Hoover
“A powerful monument to the experience of passing time.” John Koethe
“As impressive as it is original.” Midwest Book Review
A memoir that alternates between intense lyrical observations of Jayson’s first years in The Middle East, and a meditative socioeconomic dream narrative, Six Trips in Two Directions defies all conventional literary categories. It is like nothing before it.
Behind the scenes:
With Six Trips in Two Directions I was consciously trying to do something groundbreaking, by fusing lyrical poetry, postmodern fiction, investigative reporting, science, religion, and modern philosophy into one coherent vision. I was likewise trying to document my psychological development as I adapted to Lebanese culture over a period of two years (in the book I have combined the two years into a single composite year).
I wrote the shorter poems in a form I adapted from the Lebanese version of Arabic zajals. As I became more acclimated to Lebanese culture, I began integrating Lebanese folk proverbs into many of these shorter poems. After finishing Six Trips, I continued to play with this form, eventually taking it to its logical conclusion in English, turning it into the modular form manifested in my Polyvalence poems.
I had a hard time thinking of a title for Six Trips, and ultimately decided to take a pragmatic approach. I simply gave it a title that described what it is: six movements back and forth between two different mindscapes. The cover image is a bridge, which I thought was appropriate for something thus hovering between.
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A Momentary Jokebook, winner of the Cleveland State University Ruthanne Wiley Novella Contest
“I’ve never read anything quite like A Momentary Jokebook. It is wonderfully intelligent, terribly funny, thought provoking, often wise and always compelling.” Tom Barbash
“A marvelously crafted tragic-comic record of our age.” Christopher Grimes
“A heady romp!” Laura Desmond
In the tradition of such classics as Nabokov’s Pale Fire, comes an absurdist literary puzzle, a distinctly 21st century fiction that manages to be both a metafictional romp through Ceausescu’s Romania, and a lyric meditation on brutality, desire, and the search for redemption. A Momentary Jokebook is an exercise in contemporary myth-making, at once strange, comic, and terrifying.
Behind the scenes:
A Momentary Jokebook was a solution to a number of creative problems I had been trying to resolve for years: First, I wanted to write a book that employed the second person point of view in an unaffected manner; joke conventions took care of that. Second, I wanted to write in a style that openly violated fundamental tenets of psychological realism, using archetypal characters, nonlinear time, etc, but I didn’t want it to be immediately identified as nonrealistic; setting it in the ambiguous “reality” of Romanian history took care of this. Third, I wanted to create a narrative that was both cohesive and fragmentary, allowing me to work any of my evolving interests into it; again, jokes took care of this. Finally, I wanted to have fun doing it; ditto.
A Momentary Jokebook is often described as having a “European” flavor. I didn’t intend for that to happen. In fact, I had intended the book to be a critique of American culture, written in the satirical tradition pioneered by American writers such as Twain, Bierce, Vonnegut, Ellison, and Brautigan. I did feel compelled to sublimate my stronger political critiques in a manner perhaps reminiscent of that used by soviet dissidents. And, of course, it is set mostly in Romania… or is it? Perhaps when the complete edition emerges it will be clearer.
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